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                            300 [Blu-ray]

            Like Sin City before it, 300 brings Frank Miller and Lynn Varley's graphic novel vividly to life. Gerard Butler (Beowulf and Grendel, The Phantom of the Opera) radiates pure power and charisma as Leonidas, the Grecian king who leads 300 of his fellow Spartans (including David Wenham of The Lord of the Rings, Michael Fassbender, and Andrew Pleavin) into a battle against the overwhelming force of Persian invaders. Their only hope is to neutralize the numerical advantage by confronting the Persians, led by King Xerxes (Rodrigo Santoro), at the narrow strait of Thermopylae. More engaging than Troy, the tepid and somewhat similar epic of ancient Greece, 300 is also comparable to Sin City in that the actors were shot on green screen, then added to digitally created backgrounds. The effort pays off in a strikingly stylized look and huge, sweeping battle scenes. However, it's not as to-the-letter faithful to Miller's source material as Sin City was. The plot is the same, and many of the book's images are represented just about perfectly. But some extra material has been added, including new villains (who would be considered "bosses" if this were a video game, and it often feels like one) and a political subplot involving new characters and a significantly expanded role for the Queen of Sparta (Lena Headey). While this subplot by director Zack Snyder (Dawn of the Dead) and his fellow co-writers does break up the violence, most fans would probably dismiss it as filler if it didn't involve the sexy Headey. Other viewers, of course, will be turned off by the waves of spurting blood, flying body parts, and surging testosterone. (The six-pack abs are also relentless, and the movie has more and less nudity--more female, less male--than the graphic novel.) Still, as a representation of Miller's work and as an ancient-themed action flick with a modern edge, 300 delivers. --David Horiuchi

District 9 [Blu-ray]

A provocative science fiction drama, District 9 boasts an original story that gets a little lost in blow-'em-up mayhem. Set in Johannesburg, South Africa, District 9 begins as a mock documentary about the imminent eviction of extraterrestrials from a pathetic shantytown (called District 9). The creatures, it turns out, have been on Earth for years, having arrived sickly and starving. Initially received by humans with compassion and care, the aliens are now mired in blighted conditions typical of long-term refugee camps unwanted by a hostile, host society. With the creatures' care contracted out to a for-profit corporation, the shantytown has become a violent slum. The aliens sift through massive piles of junk while their minders secretly research weapons technology that arrived on the visitors' spacecraft.

      Against this backdrop is a more personal story about a bureaucrat named Wikus (Sharlto Copley) who is accidentally exposed to a DNA-altering substance. As he begins metamorphosing into one of the creatures, Wikus goes on the run from scientists who want to harvest his evolving, new parts and aliens who see him as a threat. When he pairs up with an extraterrestrial secretly planning an escape from Earth, however, what should be a fascinating relationship story becomes a series of firefights and explosions. Nuance is lost to numbing violence, and the more interesting potential of the film is obscured. Yet, for a while District 9 is a powerful movie with a unique tale to tell. Seamless special effects alone are worth seeing: the (often brutal) exchanges between alien and human are breathtaking. --Tom Keogh

Fringe: The Complete First Season

         Teleportation, mind control, astral projection, invisibility, precognition, spontaneous combustion, reanimation: these are among the peripheral sciences--or "pseudo-sciences," as one skeptic puts it--examined during the first season of Fringe, a Fox network TV drama debuting on DVD with the full first season (twenty episodes) offered on seven extras-laden discs. The notion that those phenomena could have a genuine scientific basis is intriguing enough. But co-creator J.J. Abrams (whose bulging resume as a director, writer, and producer includes Lost, Alias, and the 2009 Star Trek feature film) has even more on his mind. Along with the weird science, the series features a multi-agency task force investigating related acts of terrorism that may very well add up to a threat of unimaginable global proportions; people who are exactly what they appear to be (i.e., insane) and others who are anything but; plot twists galore; family drama, interpersonal relationships, corporate evil, cop chases... There's a lot in play here, and while it doesn't always hold together (and like any new series, it takes a while to hit its stride), Fringe is rarely boring, and never less than impressively ambitious.

Red Cliff International Version - Part I & Part II [Blu-ray]
    Director John Woo's Red Cliff boasts some mighty impressive numbers. It took four screenwriters to adapt the 800,000-word source material, a 14th-century Chinese novel called Romance of the Three Kingdoms. There are also three editors, two directors of photography, hundreds of horses, and a combined cast and crew numbering in the thousands, making it reportedly the most expensive movie ever made in China. There are quite a few minutes, too, as it has a running time of 2 hours 28 minutes. That's only about half the length of the cut released in Asia, a fact that has led some critics to dismiss the American release as merely a bowdlerized version of the real deal. That may be, but this depiction of the titular battle that took place in AD 208 and is credited with changing the entire face of China is still an epic and magnificent piece of entertainment. The principal characters include Cao Cao (Zhang Fengyi), a power-hungry general and self-appointed prime minister who convinces the weak-willed emperor that two rebellious leaders in the south, Liu Bei (You Yong) and Sun Quan (Chang Chen), must be stopped; Cao Cao's antagonists also include the brilliant strategist Zhuge Liang (Takeshi Kaneshiro) and the heroic warrior Zhou Yu (Tony Leung), whose wife (Chiling Lin) is a legendary beauty. Cao Cao has a huge advantage in manpower, not to mention an impressive fleet of warships. But he is arrogant, while his opponents are not merely humble and brave but clever (Cao Cao's diabolical plan to send the contagious bodies of soldiers who have died from typhoid fever to the Southlanders' camp works temporarily, but the latter counter with ingenious strategies of their own, like using fog, wind, and fire to destroy Cao Cao's ships). All of this is depicted in the most spectacular battles scenes since the Lord of the Rings trilogy, with a steady supply of gorgeous shots and indelible images. Woo, whose previous films range from the terrific Hard Boiled and The Killer to the lamentable Ben Affleck thriller Paycheck, is in his element here, and Red Cliff is a treat. --Sam Graham

Planet of the Apes 40th Anniversary Collection (Planet of the Apes / Beneath the Planet of the Apes / Escape From / Conquest of / Battle for) [Blu-ray]

         I have loved this series ever since I was a young boy who saw the original movie on TV. When the TV series came out, I was glued to the set for every episode, and then the cartoon series became a part of my regular Saturday morning viewing. This is one of the few movie franchises that I loved growing up that has not lost any of its charm with me now as an adult. I first bought the Limited Edition Evolution collection on DVD a few years ago, and followed up with my purchase of the Ultimate Collection that came enclosed in a bust of Caesar. When I first heard of the arrival of this series on Blu-ray, I thought they would simply transport the DVD versions I already owned onto a Blu-ray platter. BOY was I wrong!!!!!
      I will not go into the details of the story line for this series, since so many have already done a great job at that. What I will focus on is the Blu-ray 40th Anniversary Collection.

2012 (Two-Disc Special Edition) [Blu-ray]

      Now this is how you destroy the world. Roland Emmerich's 2012 pounces on a Nostradamus-style loophole in the Mayan calendar and rams the apocalypse through it, gleefully conjuring up an enormous amount of Saturday-matinee fun in the process. A scientist (Chiwetel Ejiofor) detects shifting continental plates and sun flares and realizes that this foretells the imminent destruction of the planet. Just as the molten lava is about to hit the fan, a novelist (John Cusack) takes his kids on a trip to Yellowstone; later he'll hook up with his ex (Amanda Peet) and her new boyfriend (Tom McCarthy) in a global journey toward safety. If there is any safety. The suitably hair-raising plot lines are punctuated--frequently, people, frequently--by visions of mayhem around the globe: the Vatican falls over, the White House is clobbered (Emmerich's Independence Day was not enough on that score), and the California coastline dives into the Pacific Ocean. Unlike other action directors we could name, Emmerich actually understands how to let you see and drink in these vast special-effects vistas--and they are incredible. He also honors the old Irwin Allen disaster-movie tradition by actually shelling out for good actors. Cusack and Ejiofor are convincing even in the cheesiest material; toss in Danny Glover (the U.S. president), Woody Harrelson (a nut-bar conspiracy-theorizing radio host), Thandie Newton, and Oliver Platt, and you've got a very watchable batch of people. Emmerich hasn't developed an ear for dialogue, even at this stage in his career, and the final act goes on a bit too long. This is a very silly movie, but if you've got a weakness for B-movie energy and hairbreadth escapes, 2012 delivers quite a bit of both. --Robert Horton

Alice in Wonderland (Three-Disc Blu-ray/DVD Combo w/Digital Copy + Film Cell Photo Frame) (Amazon.com Exclusive)

        19 year old Alice (Mia Wasikowska) returns to the magical Wonderland from when she was young and meets some old friends, and learns of her destiny.. to overthrow the evil Red Queen, sister to the good White Queen (Anne Hathaway).

         I rather enjoyed it. Dark and weird, but it's really a sequel in feel, so why call it Alice in Wonderland? Return to Wonderland would have been an more apt title. Although that is probably too similar to Return to Oz...
       Whereas the Disney Wonderland felt bright, surreal and colourful, this film had a very muted colour pallette even in the "real" world and Tim Burton's Wonderland had a kind of run-down, almost post apocolyptic feel. I pictured Alice being about 10 years old in the novel and 1951 Disney adaptation.
        In that sense, by making this film a kind of sequel with Alice now in her late teens, maybe the broken, dark Wonderland becomes a metaphor for lost innocence and childhood itself, and how one's perception of childhood changes as you get older, which I think is actually quite clever.